Writing What For? Across the Mourning Sky by Raymond Farr
Executing techniques gleaned from Language poetry and its dada/surrealist roots; each poem is a box canyon of meaninglessness tipping its hat to the absurd. Literary expectations are dashed on the rocks of dire mismeaning, embellishing the nothing that seems an inherent folly, a joke intrinsic to "a turn of phrase." These poems succumb to the glossy experience of recreating the experience of reading these poems—a train of thought derailed again and again, until what is obvious becomes radiant/radioactive, but not meaning to "mean."
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